WV actor lays down the law on The Bridge
By: Jerome Turner
Date: April 16, 2010
Source: North Shore News

 

Aaron Douglas keeps it real in post Battlestar Galactica world 

Aaron Douglas, currently playing street-wise cop Frank Leo in the new CTV series The Bridge, in real life enjoys his home on the North Shore and getting fired up about hockey. 

Best known in science-fiction circles for his role as Chief Gaylen Tyrol in the Battlestar Galactica series, Douglas likes to play Canada’s game in his ever-shrinking spare time. 

Growing up admiring players like Richard Brodeur, Kirk McLean and Ron Hextall solidified his choice to be a goalie, and also illustrates his pull toward the spotlight. 

“I think I like the fact that I am always on the ice,” says Douglas. “I can be the hero or the goat.” 

Douglas compares his style of goaltending to Ron Hextall, especially when protecting the sanctity of the sacred blue ice. 

“If you got near (Hextall’s) crease, he’d chop you down like a big oak. I like that guy,” says Douglas. “I don’t know if I’ve broken any ankles, but I’ve chopped a lot of people down that’s for sure.” 

His netminding skills and celebrity status got him into this year’s Gordie Howe Pro-Am in Edmonton April 10-11, where he faced shots from former NHL stars like Lanny McDonald, Glen Anderson, Wendel Clark and Paul Coffee. The event raised $1 million for Alzheimer’s research. 

Having played an event like this before, he did what he could to recover from an injury sustained four years ago. 

“I tore my groin playing in Whistler,” says Douglas. “I’ve been scrambling to try and get back in playing weight so I can stand up and make a save.” 

For rest and relaxation he likes to head to the North Shore. 

“Whenever I get a chance, I come home.” said Douglas. “It’s my favorite place to be in the world. It’s nice and quiet.” 

While filming season one of The Bridge in Toronto Douglas swapped houses with Canucks back-up goalie Andrew Raycroft, but this does not mean he has any kinship with the Maple Leafs. 

“I would never cheer for the Leafs. I am an unabashed Leaf-hater,” he says. “The Canucks will always be my boys.” 

When he is not stopping Hall of Famers, filming or at home; he is fulfilling the needs of his loyal fan base from his former role in BSG at comic conventions around the world. 

Last month he was in Seattle, earlier this month he was in San Fancisco and will be in Chicago from April 19-22. 

He attends functions regularly and because of his openness his followers may have crossed over to The Bridge. 

“Everybody that watched BSG will watch at least one episode of whatever show former BSG actors move on to just to see if it’s their kind of thing,” says Douglas. 

The Bridge posted the largest audience for a Canadian drama when it drew more than a million viewers for the two-hour premiere March 5. 

Leo, Douglas’ character, is the centre of the fast-paced show that is loosely based on former Metro Toronto policeman Craig Bromell, who is also a writer and producer of The Bridge. 

Douglas received tips on how a cop moves and where his equipment goes from Bromell and everything else is from the script. 

“My character follows Craig’s ascension,” says Douglas. “But I don’t play Craig. I play, Frank Leo, the character as I see him.” 

Leo is voted union representative after suggesting a lock-in strike in support of two colleagues being wrongfully accused. After most cops in the city support the cause the two cops have their charges dropped. 

Corruption has infiltrated the Metro force and Leo becomes a target because of his ability to do the right thing as union rep. 

No mention is ever made to what city The Bridge occurs. 

“It’s big city cops in anytown U.S.A.” says Douglas. 

 

CBS is partner in producing the show, but no date has been set for release on American television. 
The Bridge runs every Friday night at 10 p.m. PST.

Crossing The Bridge from sci-fi to cop drama
By: Ian Johnston
Date: March 8th, 2010
Interviewees: Aaron Douglas and Craig Bromell
Source: Metro Canada

 

Aaron Douglas’ face may be splashed all over subway stations and bus stops these days, but it hasn’t changed who he is in the minds of fans.

Douglas – who is currently starring in the new CTV cop series The Bridge – says he still gets recognized for that other role – as Galen Tyrol on Battlestar Galactica.

“It’s funny because I’ll be in the street and here’s my face everywhere (for The Bridge) but people still come up and want to talk about Battlestar Galactica.”

That wasn’t always so. When Battlestar premiered in 2003, it didn’t exactly earn immediate respect.

“It was scoffed at by critics when it came out. But viewers loved it. Now I feel it’s transformed a little how people look at science fiction,” says Douglas.

The Bridge is sure to help change people’s image of the actor. In the series he plays Frank Leo, a tough-as-nails beat cop who is driven by his own anger at the system to become the head of the police union.

That act puts him right between the police brass and the cops he works with. It’s a balancing act that Leo must negotiate on a daily basis.

“It’s not a pro-cop show, which I think maybe people might expect. But it’s a pretty factual, truthful one,” says The Bridge creator Craig Bromell, a former Toronto police union head, who serves as executive producer on the series.

“I think he (Douglas) really nailed the part. He got it.”

Still, being realistic can get pretty dark at times. Bad cops, drug deals, corruption, blackmail, suicide — it’s all in The Bridge and more.

“I showed it to a couple of cop friends and they liked it, though they wished there were less bad cops,” says Douglas.

“So I asked them if they knew any bad cops. And they said of course. I think what it (The Bridge) plays on is that cops are just human beings.”

 

‘Bridge’ not biography – Former union head says Canadian cop series fictional
By: Victoria Ahearn
Date: March 3, 2010
Interviewees: Craig Bromell, Aaron Douglas and Paul Popowich
Source: Telegraph-Journal

 

TV: Former union head says Canadian cop series fictional

TORONTO – In the new cop series The Bridge, debuting Friday on CTV and CBS, Aaron Douglas plays a tough police officer turned union head battling top brass and an “old boys’ network” as he cleans up the force.

Though the storylines are inspired by the insights of outspoken former Toronto police union head Craig Bromell, the events and characters are purely fictional, he insists.

“My life with the union is very well documented – it’s in the public, there’s no way around it – so I wanted … a fictional side to this primarily because it’s an international story,” Bromell, an executive producer and adviser on the show, said in a recent interview.

“That’s what I was trying to get out more than anything is: ‘Yeah, I’ve lived a certain situation, I was quite prominent in law enforcement in this country, but these stories could happen anywhere.'”

Bromell became president of the Toronto Police Association in 1997 at age 37, after a lengthy career on the force. He left his post in 2003 and went on to do a radio show in the city.

Several years ago, when Bromell heard someone was writing an unauthorized book on him, he thought of the idea for the series. “I really wanted to try to set the record straight on what goes on behind the scenes of any police service anywhere in the world,” he said.

He joined forces with Adam J. Shully to form 990 Multi Media Entertainment, and asked five-time Gemini Award-winning writer Alan Di Fiore (Da Vinci’s Inquest) to write a drama that showed the personal side of law enforcement.

The series title is inspired by a bridge that separates two Toronto neighbourhoods – one wealthy and one low-income – that Bromell’s unit patrolled when he was an officer.

He also says some on the force were worried that the series would spill secrets. When the pilot was being shot for CTV in Toronto in 2008 (CTV later picked it up as a series, followed by CBS), Bromell says some of his friends were offered money (he wouldn’t say who made such offers) to visit the set and find out what revelations were in the plot.

“They were being offered large sums of money to come up to me and say, ‘Listen, what story did you use in there?'”

“It happened several times … I think the highest offer was three-thousand bucks.”

Douglas, a Vancouver native, signed on as the lead, Frank Leo, right after the conclusion of his last series, the heralded sci-fi drama Battlestar Galactica.

He said he was drawn to the script because it shows the “real gritty, grimy stuff” in law enforcement.

“So many of the cop shows are that real glorious, glamorous: cops run in and save the day and the bad guys lose.

“It’s so refreshing to have a real human drama. I’m coming off Battlestar which did for sci-fi kind of what I hope this show does for cop shows,” said Douglas.

Added Hamilton’s Paul Popowich, who plays Frank’s partner, Tommy Dunn: “We’re trying to capture what it is about the (police) experience, what it is about the day-to-day that hasn’t really been seen in other shows of the genre.”

The police force in the 13-part series isn’t set in a particular city.

From a procedural point of view, the show is authentic, but it does have a “Hollywood spin,” said Bromell.

Any comparisons between him and Frank Leo stop at their job title, he added.

“The crime reporters that covered me for six years might think there are some comparisons … but the truth of the matter is with my character, with all the other characters that are around Frank Leo, it’s just not there.”

 

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An abbreviated version of this article appeared in the MetroNews on March 5th, 2010.

 

Photo credit: Jo (canadiangirl_86)

The Bridge leads to grey areas behind the thin blue line
By: Joshua Ostroff
Date: March 3rd, 2010
Interviewees: Alan Di Fiore and Aaron Douglas
Source: Eye Weekly

 

 

There’s no lack of cop shows on TV. Never has been. They fill too many essential criteria to become passé — workplace drama, mystery solving, random violence — and police officers make easy heroes because, ideally, they protect the public. Except, of course, when they don’t.

That’s the territory into which The Bridge crosses. Inspired by the controversial career of former Toronto police union boss Craig Bromell — who serves as executive producer — the new CTV series revolves around beat-cop-turned-union-rabble-rouser Frank Leo (Battlestar Galactica’s “Chief” Aaron Douglas).

“Anybody in the public domain is going to be controversial,” Douglas says recently during a break from shooting at a Toronto waterfront parking garage. “JFK, there were people who didn’t like him. Obviously. But there are a lot of warts. [Bromell] has no problem showing his faults, his foibles, the mistakes he’s made. The show will be very balanced.”

Few cop serials have delved into union politics. Police unions don’t exist to protect the public but to protect the police, even when they harm the public. The Bridge’s two-hour pilot doesn’t pussyfoot around this notion — there’s no politically correct crackdown on arguably excessive force. Instead, Leo’s concerned with protecting some cops who accidentally kill a teenage boy.

In another incident that occurs before he becomes union boss, Leo is among a group of officers who fire 68 bullets into a grandma who, though involved in some nefariousness, is still a grandma. The first time we meet Leo he’s blustering to a young kid: “don’t fight me little man, I’ll throw you into traffic, I swear I will.”

Those words came from Alan Di Fiore, an award-winning writer who had previously worked on the series Da Vinci’s Inquest, inspired by Vancouver coroner-turned-mayor Larry Campbell. But while Campbell was a consultant, Bromell has actual creative control.

“Craig is a very smart guy and he knows that there are going to be various takes on his life, so we’re basically trying to show his perspective,” Di Fiore says, acknowledging the Rashômon-like danger of showing differing points of view. “We also want to honestly show how other people felt about it, too. Obviously, we’re telling his story to a certain extent, but I want to emphasize it’s inspired by his life. Frank Leo isn’t Craig Bromell. He is, and he isn’t.”

Given CTV’s co-production deal with CBS, who bought Flashpoint but have yet to put The Bridge on their prime-time sked, obvious Toronto references have been scrubbed. Still, the “Bridge” is basically Bromell’s old 51 Division, incorporating both Rosedale and Regent Park.

The wildcat strike that Bromell led in real life, precipitating his election as union boss, does makes it into the show and seems shockingly unheroic to a civilian eye. There’s corruption shown at all levels, including the self-serving police brass and sleazy politicians, but ultimately The Bridge seems to sell Bromell’s line that Internal Affairs and the civilian-run Police Board are detrimental to policing.

When someone asks Leo if he thinks cops should be held to a higher standard, his response is “not when it is being used to screw with them.” Later, a prosecutor is disparaged as a dangerous “zealot” because “he really believes he is protecting the public from bad cops,” as if that weren’t admirable. Certainly, Leo doesn’t seem admirable when smirking that the “contagious fire” shooting spree at grandma’s truck was necessary because, “it was a really big pickup.”

“Many cop shows are watered down and pure-hero and it all wraps up at the end and the bad guy gets caught,” says Douglas. “The [real-life]cops aren’t always the ‘good guys.’ They make mistakes. They’re doing it with the best of intentions, but they’re real people.”

Watching the rank and file grumble about use-of-force restrictions as their union leader rages against oversight makes it hard to root for the beat cops, even in the face of dangerous streets and corrupt management, because they seem to be fighting for a freer hand to beat people down.

By showing what Di Fiore calls “the things that happen to cops between the things that happen to cops,” The Bridge removes the police force’s perennial white hat to reveal the many shades of grey behind that thin blue line.

 

» THE BRIDGE DEBUTS MARCH 5 AT 9PM ON CTV, AND AIRS SUBSEQUENTLY ON FRIDAYS AT 10PM